The Song That Rises with the Flames
Maoz Tzur is the song that turns Chanukah candle lighting into an experience the whole family carries with them long after the flames have gone out. After placing the shamash back in the menorah and watching the new lights flicker to life, we stand together and sing these words — a hymn that has accompanied Jewish families through more than seven centuries of exiles, persecutions, and redemptions. The melody is unmistakable, and the message is timeless: Hashem is our Rock, our Fortress, and He has delivered us in every generation.
When we sing Maoz Tzur, we are doing more than celebrating the miracle of the oil. We are connecting tefillah with praise, binding our personal gratitude to the great national story of Klal Yisroel. The hymn walks us through Egypt, Bavel, Persia, and Greece, and in every stanza says the same thing: Hashem is the Rock who saves, again and again.
Before You Say This Tefillah
Before you begin singing, look at the flames. Let the small lights remind you that Hashem has carried Klal Yisroel through every darkness, and that He carries you too. Speak to Him simply:
Ribono Shel Olam, tonight I light these candles and lift my voice in the song of Maoz Tzur. You are our Rock, our Fortress, the One who has saved us in every generation. Just as You rescued our ancestors from Mitzrayim, from Bavel, from Haman, from the Greeks, please rescue me from whatever darkness I face right now. Strengthen my emunah. Let the light of these candles remind me that no exile lasts forever. Eloka D’Meir, aneini.
If giving tzedakah, add:
In the zechus of the tzedakah I am giving for Rabbi Meir Baal Haness, may the light of this Chanukah reach into every corner of my life that still feels dark. Ribono Shel Olam, I am caring for Your children in Eretz Yisroel. Please shine Your light upon me and my family.
Maoz Tzur: The Full Prayer
מָעוֹז צוּר יְשׁוּעָתִי לְךָ נָאֶה לְשַׁבֵּחַ
תִּכּוֹן בֵּית תְּפִלָּתִי וְשָׁם תּוֹדָה נְזַבֵּחַ
לְעֵת תָּכִין מַטְבֵּחַ מִצָּר הַמְנַבֵּחַ
אָז אֶגְמוֹר בְּשִׁיר מִזְמוֹר חֲנֻכַּת הַמִּזְבֵּחַ
רָעוֹת שָׂבְעָה נַפְשִׁי בְּיָגוֹן כֹּחִי כָלָה
חַיַּי מֵרְרוּ בְקֹשִׁי בְּשִׁעְבּוּד מַלְכוּת עֶגְלָה
וּבְיָדוֹ הַגְּדוֹלָה הוֹצִיא אֶת הַסְּגֻלָּה
חֵיל פַּרְעֹה וְכׇל זַרְעוֹ יָרְדוּ כְּאֶבֶן בִּמְצוּלָה
דְּבִיר קׇדְשׁוֹ הֱבִיאַנִי וְגַם שָׁם לֹא שָׁקַטְתִּי
וּבָא נוֹגֵשׂ וְהִגְלַנִי כִּי זָרִים עָבַדְתִּי
וְיֵין רַעַל מָסַכְתִּי כִּמְעַט שֶׁעָבַרְתִּי
קֵץ בָּבֶל זְרֻבָּבֶל לְקֵץ שִׁבְעִים נוֹשַׁעְתִּי
כְּרוֹת קוֹמַת בְּרוֹשׁ בִּקֵּשׁ אֲגָגִי בֶּן הַמְּדָתָא
וְנִהְיָתָה לוֹ לְפַח וּלְמוֹקֵשׁ וְגַאֲוָתוֹ נִשְׁבָּתָה
רֹאשׁ יְמִינִי נִשֵּׂאתָ וְאוֹיֵב שְׁמוֹ מָחִיתָ
רֹב בָּנָיו וְקִנְיָנָיו עַל הָעֵץ תָּלִיתָ
יְוָנִים נִקְבְּצוּ עָלַי אֲזַי בִּימֵי חַשְׁמַנִּים
וּפָרְצוּ חוֹמוֹת מִגְדָּלַי וְטִמְּאוּ כׇּל הַשְּׁמָנִים
וּמִנּוֹתַר קַנְקַנִּים נַעֲשָׂה נֵס לַשּׁוֹשַׁנִּים
בְּנֵי בִינָה יְמֵי שְׁמוֹנָה קָבְעוּ שִׁיר וּרְנָנִים
חֲשׂוֹף זְרוֹעַ קׇדְשֶׁךָ וְקָרֵב קֵץ הַיְשׁוּעָה
נְקוֹם נִקְמַת עֲבָדֶיךָ מֵאֻמָּה הָרְשָׁעָה
כִּי אָרְכָה לָנוּ הַיְשׁוּעָה וְאֵין קֵץ לִימֵי הָרָעָה
דְּחֵה אַדְמוֹן בְּצֵל צַלְמוֹן הָקֵם לָנוּ רוֹעִים שִׁבְעָה
Mo'oz tzur yeshu'osi, l'cho no'eh l'shabei'ach,
tikoin beis tefilosi, v'shom toidoh n'zabei'ach.
L'eis tochin matbei'ach mitzor ham'nabei'ach,
oz egmoir b'shir mizmoir chanukkas hamizbei'ach.
Ro'ois sov'oh nafshi, b'yogoin koichi koloh,
chayai meir'ru v'koshi, b'shi'bud malchus egloh.
Uv'yodoi hag'doiloh hoitzi es has'guloh,
cheil Par'oh v'chol zar'oi yordu k'even bim'tzuloh.
D'vir kodshoih hevi'ani, v'gam shom loi shokatti,
uvo noigeis v'higlani, ki zorim ovadti.
V'yein ra'al mosachti, kim'at she'ovarti,
keitz Bovel Z'rubbovel, l'keitz shiv'im noishatti.
K'rois koimas b'roish bikeish Agogi ben Ham'doso,
v'nih'yosoh loi l'fach ul'moikeish v'ga'avosoi nishbosoh.
Roish y'mini niseis'o, v'oyeiv sh'moi mochiso,
roiv bonov v'kinyonov al ho'eitz toliso.
Y'vonim nikb'tzu olai, azai bimei Chashmonim,
ufortzu choimos migdolai, v'tim'u kol hash'monim.
Uminoisar kankanim na'asoh neis lashoishanim,
b'nei vinoh y'mei sh'moinoh kov'u shir ur'nonim.
Chasof z'roi'a kodshecho, v'koreiv keitz hay'shu'oh,
n'koim nikmas avodecho, mei'umoh hor'sho'oh.
Ki or'choh lonu hasho'oh, v'ein keitz limei horo'oh,
d'cheih Admoin b'tzeil Tzalmoin, hokem lonu ro'im shiv'oh.
Ma'oz tzur yeshu'ati, lecha na'eh leshabeach,
tikon beit tefilati, vesham toda nezabeach.
Le'et tachin matbeach mitzar hamnabeach,
az egmor beshir mizmor chanukat hamizbech.
Ra'ot save'a nafshi, beyagon kochi kala,
chayai mereru vekoshi, beshi'bud malchut egla.
Uveyado hagedola hotzi et hasegula,
cheil Par'o vechol zar'o yardu ke'even bimtzula.
Devir kodsho hevi'ani, vegam sham lo shakateti,
uva noges vehiglani, ki zarim avadeti.
Veyein ra'al masachti, kim'at she'avarti,
ketz Bavel Zerubavel, leketz shiv'im nosha'ti.
Kerot komat berosh bikesh Agagi ben Hamdata,
venihyata lo lefach ulemokesh vega'avato nishbata.
Rosh yemini niseta, ve'oyev shemo machita,
rov banav vekinyanav al ha'etz talita.
Yevanim nikbetzu alai, azai bimei Chashmanim,
ufartzu chomot migdalai, vetim'u kol hashemanim.
Uminotar kankanim na'asa nes lashoshanim,
benei vina yemei shemona kave'u shir urnanim.
Chasof zero'a kodshecha, vekarev ketz hayeshu'a,
nekom nikmat avadecha, me'uma harsha'a.
Ki archa lanu hasha'a, ve'ein ketz limei hara'a,
deche Admon betzel Tzalmon, hakem lanu ro'im shiv'a.
Stanza 1 — Opening Praise:
O Fortress, Rock of my salvation, to You it is fitting to give praise. Restore my House of Prayer, and there we will offer thanksgiving. When You will have prepared a slaughter of the barking foe, then I will complete with song and psalm the dedication of the Altar.
Stanza 2 — Egypt:
My soul was sated with troubles; my strength was consumed with grief. They embittered my life with hardship, in the enslavement of the calf-like kingdom of Egypt. But with His great hand, He brought forth the treasured nation; Pharaoh's host and all his offspring sank like a stone into the depths.
Stanza 3 — Bavel:
To His holy abode He brought me, but there too I had no rest. The oppressor came and exiled me, for I had served strange gods. I had drunk the poisoned wine; I nearly perished. The end of Bavel came through Zerubavel — at the end of seventy years I was saved.
Stanza 4 — Persia (Purim):
The Agagite, son of Hammedatha, sought to cut down the tall cypress. But it became a snare and a stumbling block to him, and his arrogance was brought low. You raised up the head of the Benjaminite, and the enemy — You blotted out his name. His many sons and his possessions You hanged upon the gallows.
Stanza 5 — Greece (Chanukah):
The Greeks gathered against me, in the days of the Chashmonaim. They breached the walls of my towers and defiled all the oils. But from the one remaining flask a miracle was wrought for the roses. Men of understanding established eight days for song and rejoicing.
Stanza 6 — Prayer for Final Redemption:
Bare Your holy arm, and hasten the end — the salvation. Avenge the blood of Your servants from the wicked nation. We have been waiting a long time for deliverance , and there is no end to the days of evil. Push away the Red One into the shadow of death, and establish for us the seven shepherds.
The author of Maoz Tzur is identified by the acrostic formed by the first letters of each of the six stanzas, which spell out the name “Mordechai.” He is generally identified as Mordechai ben Yitzchak, a paytan who lived in Germany during the thirteenth century. He composed Maoz Tzur during a period of intense suffering for Ashkenazi Jewry — the Crusades had devastated communities across the Rhineland, and persecution was a regular threat. The hymn’s structure, recounting four periods of exile and deliverance before appealing for a fifth and final redemption, resonated powerfully with communities that understood persecution from lived experience. The Chofetz Chaim (Mishnah Berurah, Orach Chaim 676:3) notes the widespread custom of singing Maoz Tzur and other songs of praise after the Chanukah lights are kindled.
What These Words Mean for You
Ma’oz Tzur Yeshu’ati מָעוֹז צוּר יְשׁוּעָתִי “Fortress, Rock of my salvation”
The very first words establish Hashem not as an abstract concept but as a physical refuge — a rock, a fortress, an immovable stronghold. The word ma’oz implies a place of active protection, not passive existence: a stronghold you run to, not a wall that merely stands. Hashem is not merely strong; He is the place we run to when we have nowhere else to turn. For a family standing around the menorah on a cold winter night, this opening line is a declaration: whatever we have faced this year — financial strain, health worries, the weight of raising children in a complicated world — our Rock has not moved.
Tikon Beis Tefilasi תִּכּוֹן בֵּית תְּפִלָּתִי “Restore my House of Prayer”
In the middle of a Chanukah song, the paytan inserts a plea for the rebuilding of the Beis HaMikdash. The Bnei Yissaschar (Maamarei Chodesh Kislev-Teves, Maamer 4) notes that this is no coincidence — the Chanukah miracle itself was the rededication of the Mikdash, and so our celebration of that event naturally becomes a prayer for its ultimate restoration. Every time we sing these words, we are not just remembering the past; we are asking for the future. The menorah in our window is a miniature echo of the Menorah that once stood in the Heichal, and our song is a whispered request: may it stand there again.
Uminosar Kankanim Na’aseh Neis Lashoshanim וּמִנּוֹתַר קַנְקַנִּים נַעֲשָׂה נֵס לַשּׁוֹשַׁנִּים “From the one remaining flask, a miracle was wrought for the roses”
This is the line that captures the essence of the Chanukah miracle. The Gemara in Shabbos 21b relates that when the Chashmonaim entered the Beis HaMikdash, they found only one small flask of oil with the seal of the Kohen Gadol still intact — enough for a single day, yet it burned for eight. The word shoshanim is a poetic name for Klal Yisroel, drawn from Shir HaShirim. The Kedushas Levi on Chanukah emphasizes that the miracle of the oil was not merely practical but symbolic: Hashem showed that even when nearly everything has been contaminated, the one pure thing that remains is enough. One flask. One family that stays faithful. One neshamah that refuses to give up. That is where the miracle begins.
The sixth stanza shifts from historical memory to raw, present-tense anguish. These words could have been written yesterday. The Sfas Emes, in his maamarim on Chanukah, emphasizes that this kind of cry teaches something essential about emunah: even when we feel that the galus has stretched beyond what we can endure, the very act of crying out to Hashem is itself a form of redemption. We have not given up. We are still singing. We still light the menorah, still stand before the flames, still ask. That persistence is the deepest miracle of all — more enduring than the oil, more defiant than the Maccabees.
How to Say This Tefillah
Maoz Tzur praises Hashem for salvation and for the rededication of the altar. Chanukah, as described in our tefillah and in Rambam, joins the Greeks’ assault on Torah with Hashem’s deliverance of His people, followed by the purification of the Mikdash and the rekindling of its lights. In that spirit, many choose to accompany tefillah with an act of tzedakah.
There is no formal halachic requirement to sing Maoz Tzur. The Rema (Orach Chaim 670:1) mentions the custom of singing zemiros and praises in connection with Chanukah, and Maoz Tzur has become the standard hymn fulfilling this practice in Ashkenazi communities. Some families sing only the first stanza; others sing all six. Both are legitimate. The custom is to sing Maoz Tzur in both shul and at home. At home, the baal habayis lights and the entire family joins in the singing. Sephardi communities generally do not recite Maoz Tzur, instead singing other piyutim or reciting specific mizmorim after lighting.
If you do not know the melody, speak the words slowly. Read the English if the Hebrew feels too far away right now. Hashem hears every language. Before you begin, set your kavanah: “Hashem, You are the Rock who has saved us in every generation. As I sing these words, help me feel that You are with me in my own darkness, and that You will bring the light.”
Give Tzedakah in the Zechus of Rabbi Meir Baal Haness
The Gemara in Bava Basra 10a teaches that tzedakah has the power to avert harsh decrees. “Tzedakah tatzil mimaves” — tzedakah saves from death. Tefillah and tzedakah together form a complete avodah: the prayer lifts the heart upward, and the charitable act extends the hand outward, creating a circuit of giving and receiving between the person and their Creator.
he Chanukah story it celebrates was not simply about physical survival. The Jewish people were still in their land, and their physical existence was not under threat in the same way as in other exiles. The attack was against kedushah — against Torah, avodah, and the sanctity of Jewish life — and the redemption was therefore spiritual as much as national. The Chashmonaim did not only pray; they fought for the right to serve Hashem, purified the Beis Hamikdash, and restored avodah. Their tefillah was inseparable from their deeds. In the same way, our singing of Maoz Tzur reaches its fullest expression when it is accompanied by an act of giving.
Rabbi Meir Baal Haness was one of the greatest Tannaim. The Gemara (Avodah Zarah 18a-18b) tells us that his sister-in-law was saved from a Roman captivity through his cry of “Eloka D’Meir, aneini” and the tzedakah he pledged on her behalf. Giving tzedakah in his zechus is asking Hashem to hear your tefillah in the combined zechus of this great tzaddik and your own act of chesed.
Rabbi Meir Baal Haness Charities, founded in 1799, is one of the oldest and most trusted tzedakah organizations serving the poor of Eretz Yisroel. For over two centuries, the charity has upheld the sacred promise of Rabbi Meir Baal Haness, sustaining Torah scholars, widows, orphans, and needy families throughout Eretz Yisroel. On Chanukah, when the whole message of the chag is that Hashem saves even from the last remaining drop, giving tzedakah has special power. Your kindness joins your tefillah and rises together.
Give Tzedakah in the Zechus of Rabbi Meir Baal Haness
Maoz Tzur translates to "Fortress of Rock" or "Rock of Ages." The hymn is addressed to Hashem as the ultimate source of protection and salvation. Its six stanzas recount the major national deliverances throughout Jewish history — from Mitzrayim through the Chanukah miracle — while also praying for the final redemption.
The acrostic formed by the first letters of each stanza spells "Mordechai," and the author is traditionally identified as Mordechai ben Yitzchak, a thirteenth-century paytan from Germany. He composed the hymn during a period of intense persecution for Ashkenazi Jewry, which gives the theme of miraculous deliverance an added layer of personal urgency.
No. Singing Maoz Tzur is a widely accepted minhag in Ashkenazi communities, but it is not a halachic obligation. The Rema (Orach Chaim 676:1) mentions the custom of singing songs of praise after the Chanukah lighting, and Maoz Tzur has become the standard hymn for this purpose. Missing it does not require any makeup.
Generally, Sephardi communities do not sing Maoz Tzur. They have their own traditions of post-lighting recitations, which may include specific Tehillim chapters, piyutim, or other songs of praise. The melody and text of Maoz Tzur are primarily an Ashkenazi tradition.
Maoz Tzur has six stanzas. The first is a general hymn of praise, stanzas two through five recount the four major exiles and deliverances (Mitzrayim, Bavel, Persia, and Greece), and the sixth is a prayer for the final geulah.
A Blessing for Your Chanukah
The flames of the menorah are small, but their light carries the weight of centuries. Every night of Chanukah, when we sing Maoz Tzur, we add our voices to a chorus that stretches back through eight hundred years of Ashkenazi tradition and beyond — to the Chashmonaim, to the rededication of the Mizbe’ach, to the one pure flask that refused to be extinguished.
May Hashem, the Rock of your salvation, be your fortress in every season. May the light of these candles push back whatever darkness has settled around you. May you see the pattern that Mordechai the paytan saw: that no exile, no trouble, no night lasts forever. Pair your song with an act of tzedakah in the zechus of Rabbi Meir Baal Haness, and let your gratitude reach not only heavenward but outward to those who need it most.
You can submit a prayer request to the scholars at Rabbi Meir’s grave in Tiberias at no cost — they will daven for you and your family by name through Rabbi Meir Baal Haness Charities. And if you would like to give tzedakah in Rabbi Meir’s zechus as well, your kindness will rise together with your prayer.